Festival Napa Valley raised a record $6.5 million at its 20th anniversary gala
The nonprofit said proceeds from the July 12 fundraiser will support arts education, scholarships and community programs across Napa Valley.
Tuesday, July 28, 2026
Festival Napa Valley marked its 20th anniversary this month with a record-setting gala that raised $6.5 million for arts education, scholarships and community programs in Napa Valley, organizers said after the event at Nickel & Nickel Winery.
The fundraiser, known as the Arts for All Gala, was held July 12 and closed out more than two weeks of performances and events organized by the nonprofit. Festival Napa Valley, founded in 2006, has built its identity around music programming and charitable support for arts initiatives in the region. Organizers said the annual gala has now generated more than $40 million over two decades.
This year’s festival ran for 15 days and included a music and wellness summit, a Taste of Napa grand tasting and the world premiere of a one-act opera centered on the Judgment of Paris, the 1976 tasting that helped change the global standing of California wine. The anniversary edition also underscored the scale the organization says it has reached since its founding. Festival Napa Valley reported that it has awarded more than 1,000 scholarships, presented more than 2,000 musical performances and supported more than 3,500 artists.
The gala brought together donors, vintners, performers and arts supporters at one of Napa Valley’s best-known winery properties. Beth Nickel of Nickel & Nickel described it as a lively annual gathering with a charitable purpose. The money raised this year will go toward expanding access to arts programs in the valley, according to festival leaders.
Mary Beth and David Shimmon, who served as gala co-chairs, framed the evening around the role of music and arts education in changing lives. Addressing guests, Mary Beth Shimmon said music has the power to transform lives, a message that carried through both the performances and the fundraising appeals.
Dinner was prepared by chef Dustin Valette, whose restaurants include Valette, The Matheson and Roof 106 in Healdsburg. The menu featured fennel pollen-crusted ahi tataki with makrut lime and cantaloupe brodo, followed by brown butter-poached filet mignon with Brentwood corn and truffle bordelaise, and finished with mignardises. Wines from Nickel & Nickel and Dolce were served with the meal.
One of the evening’s most personal moments came before the auction began, when a 17-year-old singer identified as Freddy from the Young People’s Chorus of New York City spoke to guests about his path to high school graduation and college admission. He told attendees that support from the chorus had made that outcome possible. His remarks tied the fundraising directly to youth arts programs and educational opportunity, themes that organizers have emphasized as central to the festival’s mission.
The chorus then performed “You Will Be Found,” led by artistic director Francisco Nuñez and accompanied by violinist Nick Kendall, a Grammy Award winner. Later in the evening, Wynton Marsalis performed with his Wynton Marsalis Septet. Their set focused on New Orleans jazz and turned part of the dining hall into a dance floor as guests stood and moved between courses and bidding rounds. Marsalis thanked attendees for supporting the arts at the close of his performance.
The live auction was led by Lydia Fenet and featured 12 lots, with some duplicated to allow additional bids. Organizers also added incentives during bidding, including sending a 3-liter bottle of Domaine Carneros sparkling wine to the table that bid the most during the auction.
The top lot of the night sold for $1.2 million and offered private access to ancient Egyptian ruins with archaeologist Kathleen Martinez. The highest individual bid was $190,000 for a seven-night all-inclusive stay on Mustique at Toucan Hill Villa, owned by Bouchaine Vineyard proprietors Tatiana and Gerret Copeland.
Valette also introduced an unscheduled lot built around Healdsburg hospitality. The package included an experience at his Valette Wine Lounge, dinner at The Matheson and a stay at Charlie Palmer’s Appellation hotel.
The final paddle raise, structured as a Fund-A-Need appeal, brought in more than $1 million on its own. That portion of the evening included a dinner hosted by Gordon Getty featuring rare vintages of Château d’Yquem spanning more than a century. Organizers said philanthropist Maria Manetti and co-chairs Mary Beth and David Shimmon were among the top contributors, each giving $100,000.
Festival Napa Valley has grown into one of the region’s most visible intersections of wine country hospitality and arts philanthropy. Its model blends high-profile culinary experiences, winery settings and marquee performances with fundraising for local education and cultural access. In Napa Valley, where charity auctions often center on health care or community services, Festival Napa Valley has carved out a distinct place by tying donor culture to music training, scholarships and free or low-cost public programming.
That approach has helped make the gala one of the valley’s major summer social events while also broadening its reach beyond tourism and luxury hospitality. Organizers say proceeds support programs for children, students and families across age groups, using performances and arts instruction as both cultural offerings and educational tools. This year’s record total suggests donors remain willing to back that mission even as charitable giving faces pressure in many sectors.
For Napa Valley’s food and wine community, the event also reflected how deeply cultural philanthropy is woven into the region’s identity. A winery estate became a concert venue and auction room; local wines framed a chef-driven dinner; visiting artists shared space with vintners and patrons; and fundraising was tied not only to prestige experiences but also to practical support for scholarships and community access. In that setting, Festival Napa Valley used its 20th anniversary not simply to celebrate its history but to reinforce its role in shaping how arts patronage functions in wine country today.